I will share with you the bigger picture concepts behind these lines, and fueled with a new collection of ideas, you will have a springboard to then begin developing your own concepts and improvisations. Lines in the style of Joe Pass, Wes Montgomery, Jim Hall and Pat Martino. A creative jazz-blues guitar method that will help you play great licks straight away.
These cover all harmonic situations, from major7 lines to altered dom7 ideas. Major / Minor scale and arpeggio substitutions to create melodic jazz lines. These are collected from the masters: Charlie Parker, John Coltrane, Dizzy Gillespie, Joe Pass, and Mike Stern - to name a few. I'd like to present to you some of the most important lines a jazz player needs to have under their fingers to sound authentic. The two places where they are used are both to lead to a chord tone, so the G resolving to the 5th of Dm7 and the A leading up to the B on G7. Check out bass clef licks over Major 2 5 1, Minor. This lick is using chromatic leading notes. All licks are adjusted to bass guitar range. Some of the licks were originally played on a different musical instrument like piano or guitar, which brings a new color to bass soloing. This is what I'm presenting to you here in the course: a starting point for developing your musical vocabulary in the hopes that it will help you uncover the bigger concepts of improvisation and the sounds of jazz. Hundreds and hundreds of licks for double bass and electric bass guitar in standard notation. I did exactly what Jerry suggested, and in time I found that I relied less and less on my book of ideas becaue I started to uncover the harmonic and rhythmic shapes behind the licks and I started to be able to truly improvise. The next step was to plug them in and get them to become a part of your musical language. When I first started out I learned a great lesson from the Jerry Coker book "Improvising Jazz." He suggested to create an encyclopedia of licks organized by the harmonic situation. Learning licks is also a way to understand the deeper harmonic nuances of the music, and a way to open your ears to new sounds.
Think of the process of learning licks as the process of learning new vocabulary words - a new language. Without a common language you can't communicate to those around you. Watch the 50 Essential Bebop Licks online guitar lesson by Sheryl Bailey from 50 Essential Bebop Licks You MUST Know.
Bebop licks guitar series#
Think of the process of learning licks as the process of learning new vocabulary words - a new language. A Jazz Guitar Licks Goldmine awaits in this incredible jazz collection This Hal Leonard video series is jam-packed with tasty jazz lines, phrases, and improvisational ideas personally taught to.
Work out them over the Different Chord Typesĭo you have any favorite bebop jazz guitar licks? Who are some of your favorite bop guitarists to transribe? Share your thoughts in the comment section below.Watch the 50 Essential Bebop Licks online guitar lesson by Sheryl Bailey from 50 Essential Bebop Licks You MUST Know.This lick also incorporates the b13 over the dominant chord creating additional tension before finally resolving to E, the third of the C major 7 chord. Implying the b9 is a great and crunchy way to spice up playing over dominant 7 th chords before resolving. The last note at the end of bar 1 F#, provides a nice taste of the bebop scale before resolving. The beginning of this lick starts with a 3-9 arpeggio, simply a descending B-7b5 arpeggio over the G7 which adds some tasty flavour as we start on the 9 th. The lick is implying a D-7 - G7 movement in the first bar starting out by first outlining the D-7 arpeggio (first 4 notes D, F, A, C) which sets up smooth voice leading for the B natural, the third of the G7 before finally resolving to the third of C major 7 (E) in the last bar. Jazz is often made more complicated than it needs to be. Put on any 1950’s bebop record and I guarantee you’ll hear it in some way, shape or form!
I have written the lick out in its simplest form here, but there are many alterations you can make to this line once you have nailed it. This is perhaps the most commonly played bebop lick.
Bebop licks guitar how to#
In today’s lesson we are going to be looking at how to play bebop licks on guitar by learning 3 lines that utilize some common bebop techniques to help you when soloing over bop tunes. Even if you are not mainly a bebop player there’s still a lot to be gained from the bebop language that can spice up your own playing.īebop musicians love to play over II-V-I progressions and most of the bebop standards go through rapid amounts of II-V’s, therefore it’s vital that we have plenty of language and approaches to nailing them.
Bebop licks guitar pdf#
Building a bebop vocabulary is essential in the development of any jazz musician, and learning jazz bebop guitar licks is an important part of practice. Bebop Licks Guitar Pdf Average ratng: 5,6/10 1331votes Here are some dominant bepop scale guitar patterns, diagrams and fingerings to master this scale used in bebop music.